| Method | Photogravure |
| Artist | after Sir Edward Coley Burne-Jones |
| Published | Published by the Berlin Photographic Company Berlin. _ London W.133 New Bond Street. _ New York 14 East 23rd Street. [c.1900] |
| Dimensions | Image 190 x 258 mm, Plate 252 x 307 mm, Sheet 507 x 667 mm |
| Notes |
Printed on India laid paper. Plate 5, taken from Burne-Jones' watercolour of the same title, produced between 1865 and 1867, from 'The Work of Edward Burne-Jones, Ninety-One Photogravures Directly Reproduced from the Original Paintings'. Only two-hundred copies of the 'The Work of Edward Burne-Jones...' were produced, each of which was signed by Philip Burne-Jones, the eldest son of Edward. Greatly influenced by medieval literature, as were many artists associated with the Pre-Raphaelite's, Burne-Jones found the subject of his image in Chaucer's 'Legend of Good Women'. Chaucer's poem, which took the form of a dream vision, retold the tales of ten virtuous women. Rather than focusing on a particular tale featured in Chaucer's poem, Burne-Jones illustrates Chaucer in his dream state, depicted asleep against a fountain to the left of the composition. Beside Chaucer is a large poppy, a traditional symbol of sleep. As well as alluding to Chaucer's state of sleep, the poppy divides the sleeping figure from the women depicted to the right of the composition, suggesting that the figures are a culmination of Chaucer's dream. The procession of women trails far into the distance, and is led by a winged figure of Love. Sir Edward Coley Burne-Jones, 1st Bt (1833-1898) was a painter and designer closely associated with the later phase of the Pre-Raphaelite movement. Burne-Jones met William Morris as an undergraduate of Exeter College, Oxford, whilst studying for a degree in theology. The pair went on to work very closely together on numerous decorative arts projects including stained glass windows, tapestries, and illustrations. Originally intending to become a church minister, Burne-Jones never finished his degree, choosing instead to pursue an artistic career under the influence of Dante Gabriel Rossetti. Rossetti heavily inspired his early work, but by the 1860's his idiosyncratic style was beginning to develop. His mature work, however different in total effect, is rich in conscious echoes of Botticelli, Mantegna and other Italian masters of the Quattrocento. Thusly, Burne Jones' later paintings of classical and medieval subjects are some of the most iconic of the Pre-Raphaelite movement. He was at the height of his popularity during the 1880's, though his reputation began to decline with the onset of the Impressionists. He was created a baronet in 1894, when he formally hyphenated his name. The Berlin Photographic Company, (1880 - 1920; fl) or the Berlin Photographische Gesellschaft, was a German print publishers who specialised in photogravures after Old Masters and contemporary painters. High quality photographs were taken of the original works. The negatives were then exposed onto a gelatin covered copper plate, etched with acid, and printed in a similar fashion to an engraving. The main series of the Berlin Photographic Company's publications is kept together at Blythe House, West Kensington. Condition: Some foxing and discolouration to margins, water stain to lower right corner of sheet, not affecting image. |
| Framing | unmounted |
| Price | £375.00 |
| Stock ID | 41488 |