| Method | Woodblock (nishiki-e) |
| Artist | Utagawa School |
| Published | n.d. c. 1840 |
| Dimensions | Yatsugiri-ban [~95 x 127 mm] |
| Notes |
Series: Dialogues in the Bedroom In this print a couple are reclining while looking at a shunga album togteher, the man stimulating the woman with his fingers as she lies in front of him with her kimono open exposing herself. Deluxe separately published print with extensive gauffage giving the bodies of the man and woman a three dimensional element. This size of shunga print was usually sold in sets of twelve in paper wrappers and often given as gifts at New Year in a similar fashion to surimono (privately commissioned greetings cards).As with surimono, these prints have been made using complex deluxe printing methods such as a large range of colours, complex patterns, and metallic pigments. Shunga is the term used for the body of erotic imagery produced in Japan from 1600 to 1900. The term shunga means spring pictures and is a euphemism for sex and is one of several names for erotic material produced in Japan. Shunga took different formats: painted hand scrolls, painted books, printed books and albums and sets of prints which were sometimes sold in wrappers. As prints they are one of the genres of Ukiyo-e, or Floating World, prints which includes: fukeiga (landscape prints), and bijin-ga (prints of beautiful women). Most of the major Ukiyo-e artists produced shunga material at some point during their career including Utamaro (who produced more erotic books than non-erotic books), Hokusai, and Hiroshige. Produced at the same time as the introduction of full colour woodblock printing, shunga prints and books were made using the most lavish and complicated printing techniques including gauffage, metallic inks, mica, complicated printed patterns, and multicolour printing using a high number of different colours. Shunga whilst prolific is more representative of the idea of the Ukiyo-e or Floating World with an emphasis on mutual pleasure rather than an accurate representation of Japanese attitudes and practices of sexuality. Shunga prints present an invitation to pleasure through the bliss of lovemaking and though largely heteronormative, they portray the gambit of couplings married or otherwise often surrounded by lavish settings and objects of pleasure. Utagawa School was the largest school of ukiyo-e art founded by Utagawa Toyoharu. After Toyoharu died his main pupil Utagawa Toyokuni I took over and led the group to be the biggest and most influential woodblock school of the 19th century. Pupil include Kunisada, Kuniyoshi, Hiroshige, and Yoshitoshi. Utagawa School is used an attribution when prints are unsigned and in the style of the school. Due to the punitive restrictions on shunga prints many works were produced without signatures or with pseudonyms. Ex. Col. Peter Darach |
| Framing | framed |
| Price | £240.00 |
| Stock ID | 53214 |