| Method | Woodblock (nishiki-e) |
| Artist | Keisai Eisen (1790-1848) |
| Published | Tenpo 7 (1836) |
| Dimensions | Two Hanshibon sheets [each sheet ~222 x 155 mm] |
| Notes |
Series: Iro jiman edo murasaki: Tales of Sexual Conquest and the Violet of Edo A print from Volume II of Eisen's Iro jiman edo murasaki: Tales of Sexual Conquest and the Violet of Edo. Here, two women fight over a man. The woman on the right is an oiran (highest ranking courtesan) denoted by her lavish kimono and elaborate hair style with 12 hair pins, her kimono is open at the bottom exposing herself, as pulls on the mans left arms with bother her hands, on the ground in front of her are tissues, behind her a lacquer tray. The woman on the left wears a single hair comb and hair pin and less elaborate kimono kimono open at the bottom exposing her self, a folded fans and book on the ground by her right knee. Shunga is the term used for the body of erotic imagery produced in Japan from 1600 to 1900. The term shunga means spring pictures, a euphemism for sex, and is one of several names for erotic material produced in Japan. Shunga took different formats: painted hand scrolls, painted books, printed books and albums, and sets of prints which were sometimes sold in wrappers. As prints they are one of the genres of ukiyo-e, or Floating World prints, which also include fukeiga (landscape prints), and bijin-ga (prints of beautiful women). Most of the major ukiyo-e artists produced shunga material at some point during their careers, including Utamaro (who produced more erotic books than non-erotic books), Hokusai, and Hiroshige. Produced at the same time as the introduction of full colour woodblock printing, shunga prints and books were made using the most lavish and complicated printing techniques, including gauffrage, metallic inks, mica, complicated printed patterns, and multicolour printing using a high number of different colours. Although prolific in its number and variety, shunga should be seen as more representative of the ideals of the ukiyo, with its emphasis on mutual pleasure, rather than as an accurate representation of Japanese attitudes and practices of sexuality. Shunga present an invitation to pleasure through the bliss of lovemaking and though largely heteronormative, they portray the full gamut of couplings, married or otherwise, often surrounded by lavish settings and objects of pleasure.. Keisai Eisen (1790-1848) was a ukiyo-e artist born in Hoshigaoka in Edo Japan. The son of the samurai, poet, and calligrapher Ikeda Masahei Shigeharu, Eisen studied painting in the Kanō style under Kanō Hakkeisai from whom he got the name Keisai. He then went on to train as a kabuki playwright. After the death of his father, he lodged with the family of Kikugawa Eizan. It was then that Eisen became interested in ukiyo-e and studied under Eiji, Eizan's father. It was also at this time that he became interested in the work of Hokusai who heavily influenced his style. Eisen specialised in bijin-ga (pictures of beautiful women), including his o-kubi-e (large head pictures) and full length portraits, also made landscapes and pictures of famous places contributing 24 designs to Kisokaidō rokujūkyū-tsugi: Sixty-nine Stations of the Kisokaidō Road, c. late 1830s) designed with Hiroshige. He designed many erotic prints and book illustration as well as compiling medical texts and sex manuals into the four volume (Keichu kibun) Makura bunko: Heard and Recorded in the Bedroom: Pillow Library. In addition to prints, painting, and book illustrations Eisen also wrote novels, plays, history books, legends and biographies notably the second edition of Ukiyo-e Ruiko (History of Prints of the Floating World) which contains the most comprehensive collection of biographies of ukiyo-e artists including himself in which he describes himself as a heavy drinker and claimed to have owned a brothel in Nazu in the 1830s. Ex. Col. Peter Darach Condition: Some rubbing and light soiling to lower left and right corners |
| Framing | unmounted |
| Price | £200.00 |
| Stock ID | 53167 |