[Wooded Landscape with a family and herdsmen]

Method Etching
Artist Lady Louisa Augusta Greville after Annibale Carracci
Published 1760
Dimensions Image 428 x 287 mm, Plate 442 x 300 mm, Sheet 450 x 305 mm
Notes An etching by Lady Louisa Augusta Greville of a landscape with a large tree at the forefront, with a family sitting next to it and a two herdsmen with their cattle on the right. Signed to bottom right with the monogram "LAG: fecit. 1760." and to the left "A. Carracci del."

Lady Louisa Augusta Greville (1743-1779) was the eldest child of Francis Greville, Baron Brooke, Earl Brooke from 1746 and created 1st Earl of Warwick in 1759. She married William Churchill of Henbury, Dorset, in 1770, with whom she had a son, but she died in 1779 (Registers of Sturminster Marshall, Dorset). Churchill died in 1808, survived by his second wife, 'a relict of the Earl of Stafford' (The Gentleman's Magazine, July 1808, and The Athenaeum, September 1808).

Her earliest dated print was made in 1757, the last 1770, the year she married. Most are after Rosa and Guercino, but there is at least one view of the family's seat, Warwick Castle, made in 1757 and of her own invention. She was thrice awarded medals for her drawings at the Society of Arts, in 1758, 1759 and 1760, and exhibited a landscape etching after Rosa at the Free Society in 1762.

One of Louisa's brothers was the Hon. Charles Greville (1749-1809) who played a significant role in the development of aquatint, and whose sometime mistress, Emma Lyon (Hart), was passed on to and became the wife of his uncle, Sir William Hamilton before becoming in turn the mistress of Horatio Nelson. Her niece Lady Augusta Sophia Greville married Heneage Finch, 5th Earl of Aylesford, the great collector of Rembrandt's etchings, and her nephew Henry Greville, 3rd Earl of Warwick, contributed a lithograph to André's Specimens of Polyautography. (Biography courtesy of Nicholas Stogdon).

Annibale Carracci (1560-1609) was an Italian Baroque painter and etcher, working in Bologna and Rome. He was the most important painter of the Carracci family, as he stylistically combined realism with the idealisation of classical and renaissance art, which would influence many artists, such as Rubens and Bernini.

Condition: Overall time toning. Trimmed to the plate mark, tear to bottom centre left.
Framing unmounted
Price £100.00
Stock ID 46809

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